Ebba L. Lewenhaupt - Kung Märta

In 1960 was a novel called Kung Märta published. It was written by Ebba L. Lewenhaupt and tells the story of Märta Eriksdotter (Leijonhufvud). The title Kung Märta (King Märta) is the nickname she was given by the public for how she handled the Sture family estate businesses.

The book is not at all well-known even though it was mentioned on Märta's Wikipedia page and I borrowed it at the Stockholm Public Library.

The book follows the life of Märta Eriksdotter (Leijonhufvud), but also her husband Svante Sture and to a lesser extent her sister Margareta Eriksdotter (Leijonhufvud). Much of it is devoted to the supposed love triangle between the three of them. I have talked about it both in my entry about Märta and my entry about Margareta before.

Märta's sister Margareta

Like I said then, I seriously doubt that it is true and that it more serves to antagonize the Vasa and the Sture families which is and has been since the 16th century very common. Lewenhaupt also antagonizes Märta and Margareta and also puts Märta against her mother Ebba Eriksdotter (Vasa). Lewenhaupts Märta is described as jealous of her perfect sister and hated by her mother for being "a child of sorrow" though she was born one month after her father was executed in The Stockholm Bloodbath. Based on the historical source material however, it seems like Märta was a beloved daughter and sister and she seems to have been pretty close to both.

About the engagement Svante and Margareta, I think that even if their parents had talked about it (because that sort of things happened), I do not think either of them would remember much of it. Svante was only three and Margareta four at the time of the bloodbath and after that Svante was out of the country pretty much the rest of the time up until Margareta married Gustav Vasa.

Svante is also very different from what I think he was like. He's quite macho, but kind and years after Margareta  all the time wherefore Märta never is totally comfortable in their marriage. She also seems more or less unaffected by the Sture Murders, which really feels odd to me considering the contents of the historical sources both during and after the murders.

Märta's son Nils

Even though the template images is a bit hard to read through 60 years later, especially when you have some knowledge about the historical sources, Kung Märta is very entrancing and it is surprisingly easy to read through. It tells the story of Märta's life chronologically but episodically with lots of small or big jumps in time. This creates a lack of flow in the narrative and affects all the characters's development. It also mainly takes an interest in big events like Dackefejden, the Sture murders or when Margareta dies and it is hard to grasp for example Märta's marriage or her relations to any of her other family members, friends or subordinates.

There is a somewhat proto-feministic tone to Märta's character. She is very active and enterprising in a way that I can see her being myself. At the same time Lewenhaupt also vilifies her. Märta i depicted as being "a child of sorrow" (because her father died before she was born) with flamy red hair (coloured by the blood of the bloodbath), a freckled, oblong face, dark eyes and a lanky body. This is put in sharp contrast with her older sister who is portrayed as blonde with a more or less perfect look and personlity.

Märta's husband Svante

Svante is also depicted as blonde and like you can see on his portrait to the left, I do not really think his hair colour could be considered blonde.

From what I have gathered, no portrait from the time period has been identified as Märta, but if you go by the appearance of her blood relatives's (Margareta and Märta and Svante's three children Nils, Erik and Kristina) portraits she might have been the blonde one. Her dead father-in-law, Sten Sture the younger, seems to have been blonde, but Svante was not.

Märta and Svante's son Nils has a very light hair colour, while Erik is a bit darker. Kristina's hair is covered in both portraits that have been identified as her. All Sture children also seems to have bright, green eyes while Svante's are dark. This has me thinking this is a trait, they inherited from Märta also. Kristina and Erik also have rounder faces than Svante and Nils, which might derive from Märta as well.

Märta's son Erik

Lewenhaupt describes Märta as having a sharp tongue which is something I can totally see. I do not see her as gangly, but very petite. This might be because I want to contrast it to the seemly larger-than-life personality I imagine she had though.

I am very ambivalent about my feelings towards this book. In fact I do not know if I have been this ambivalent towards one since I read Terry Hayes's book I am Pilgrim. I mean it is so filled with clichés, it is not really based in historical facts, but more in storytelling of historical individuals and events which are more or less mythical and  both Märta and the other characters are seriously lacking development and Märta's feelings and reactions are often strange and not based on the historical sources either. It is also evident that it was published almost 60 years ago.

Märta's daughter Kristina

However, there is something about this book that I cannot help liking and I think it has all to do with who it is about. Märta is one of my absolute favourite of any historical women and not only Vasa women. She is totally amazing. She is not at all well-known and it always breaks my heart a little whenever I am met with faces looking like big question marks when I mention her name. I just think she deserves so much more and I am glad that someone besides me has cared enough about her that they wrote a book about her. It warms my heart so very much.






All the paintings were borrowed from wikimedia commons.