Phryne, Freja and the winter/summer solstice

From Murder in the Dark

According to King Memses's Curse, today is Phryne Fisher's birthday. It is also the winter solstice over here (summer solstice in the southern hemisphere).

Phryne: My birthday party 
Jack: Summer solstice 
Phryne: Help me to celebrate.

~ King Memses's Curse 

The episode is the last one of the first series of Miss Fisher's Murder Mysteries. It tells the story of the solution to the overarching plot line of season 1: The kidnapping and murder of Phryne's little sister Jane. It is also Phryne's last encounter with Murdoch Foyle who was set up kind of like an archenemy to her. His birthday is also the 21st of December. As is the fictive Egyptian pharaoh Memses who Foyle becomes obsessed with, thinking he is the reincarnation of him.

The episode is stuffed with Ancient Egyptian references, sort of the peak of the running Anthony and Cleopatra theme established in Ruddy Gore. Ancient Egypt also pops up as a theme in the Phryne Fisher book Flying to High. Even the song in the last scene, I am sailing on a sunbeam can be said to have Egyptian references since in Egyptian mythology, the sun god Re is said to sail across the sky in a boat. In this entry however, I will move a bit through time and space to Viking Age Scandinavia and talk about a different mythology and a different goddess than the Egyptian ones. Together with the Norse god Odin, she was associated with the (for Scandinavia) winter solstice: Freja. (I have wondered for awhile how much of the cultic activities surrounding Freja at the winter solstice that went into the Lucia celebration.)

Brooch probably depicting Freja.
from Aska, Östergötland, Sweden

I talked about Freja in the entry about Johanne Hildebrandt's book Saga från Valhalla, but there might be need for a recap.

Freja is the most prominent and well-known of the Norse goddesses (who are all often rather vaguely portrayed). She is the sister of Frej and generally rather dismissively described only as his "seductive sister". However this is an extremely reducing epithet of such an important goddess.

She and her brother are mainly fertility deities (In Sweden, Frej has also been called Frö, which is the Swedish word for seed.) and they are also the personifications of female (Freja) and male (Frej) sexuality. Freja also cares for pregnant women.

But there are more aspects than fertility to Freja! When you study her, you realise that she is not only "the love goddess". She is actually but pretty badass. She is also a war goddess and head of the valkyries.

The valkyries are female warrior spirits/deities dressed in chainmail and helmets adorned by swan feathers and with spears ready to fight. They were said to descend on the battle field on the backs of their ethereal horses, but never participate in the wars of mortals. 

Instead their duty is to pick out the fallen warrior and bring them to the afterlife. Traditionally it is said that Odin is the one who wants them in his home Valhalla to train them for the last battle when the world was supposed to end at Ragnarök, but this is only part of the truth. In fact, Freja was just as involved in this as Odin. She and Odin actually split the fallen warriors in between them. And she got to pick first, meaning she took the best warriors to her home, Folkvang.

So what has this got to do with Phryne Fisher? Well, there names sound similar and I think there are a lot of similarities between her and Freja's personalities. Phryne is powerful and independent just like Freja. She is also connected to death through all the murders that occur in close proximity to her (or someone she knows).

Hugh: Miss Fisher's gone on holiday again Sir.
Jack: Hm, anyone dead yet?
Hugh: Only one so far Sir.

~ Murder under the Mistletoe

There is also a tendency among certain viewers to discredit the series and Phryne based solely on Phryne's many sexual encounters with men. (For a discussion about this including comments by Essie Davis who plays her, you can look here.) This is also something she has in common with Freja who was seriously discredited among the male 19th century scholars who set out to interpret the Norse saga material and other written sources to the general public. They had serious problems with a goddess who was so popular as Freja seems to have been. Not least because of her many sexual adventures (She was a goddess of fertility and female sexuality after all.) She was worshipped throughout Scandinavia and a favourite among the female priestesses known as völvur. The matter of a liberal sexuality, esepcially in women, was also something the male scholars of the 19th century did not look foundly upon and because Freja is still mainly described as Frej's seductive sister or love goddess, it has worked and still works as a way to reduce her power and influence.

Egyptian tomb painting

There is also the matter of some of Phryne's headdresses. Even though the Cleopatra one she wears in the photo from Murder in the Dark above clearly is meant to look like the one from the Egyptian tomb painting above, I think it looks like a valkyrie helmet.

From Ruddy Gore

Phryne also wears a headband in both Ruddy Gore and Blood and Money that is probably some kind of laurel wreath, but those leaves could easily be consider feathers as well.

This rant might make little sense, but after my entry about ways to compare Phryne to other pop-cultural figures, I figured I might as well give some more alternatives to compare Phryne too and this day seems to be special for both of them.

Happy Birthday Phryne! Even though you are fictional, I love you!

Picture of valkyrie helmet was borrowed here, the Egyptian crown was found here and the photo of the Freja brooch from Aska in Östergötland in Sweden was taken by Gabriel Hildebrand at SHMM

Johanne Hildebrandt - Estrid, Sagan om Valhalla

The fifth installment in the Sagan om Valhalla series is Estrid. I had the great honour of reading it in advance thanks to the author Johanne Hildebrandt.

Estrid is the daughter of Sigrid and Svend (Tveskæg) although everyone except for Sigrid think she is the daughter of Erik (Segersäll). She is also twin sister of Olof (Skötkonung) who will be king of the Swedes. Estrid gets kidnapped, and struggles to get back to her mother.

In the beginning of the book, Estrid belongs to the death goddess Hel (just like Freja eventually did in the first trilogy). I have sort of thought about having death as a theme for one of these entries about the series, because it is an over-arching, ever-present theme throughout all of the books. However, again there is a theme I thought more about as I was reading Estrid, so I will have to postpone it again. It seems fitting also, since Estrid is said to choose life over death as she converts to Christianity.

I somehow find Johanne Hildebrandt's depiction of the convertion in line with all the other supernatural things in the world she builds up and it certainly is quite imaginative. For real, however I think faith had extremely little to do with why people in Scandinavia became Christian. My MA thesis in Archaeology was about how the Christianisation can be shown in burials from the time ca AD 800-1200 in the Mälaren region in easternmost Sweden. (It is in Swedish, but can be found here if someone wants to read it, because much of my thoughts that I will write bellow is further developed there.)

To me the time period had much more to do with changing power structures and identities. It is the time of the centralisation of power, of town establishment and really also the time from which we get our first power figures that can be named and at least to some extent fleshed out from written sources. Traditionally this time period is often thought of as the time of the foundation of the Swedish (and Norwegian and Danish) nation states, but I will say that it is not. That concept was not made up until the 19th century (first and foremost to get the citizens's loyalty) and historical and archaeological research about the past was an important part of the creation of the concept.

So what did really happen then at the end of the time period those same scholars named the Viking Age? There are certainly a change towards a much more centralised power. The picture of this is also coloured by the 19th century and not least by the theory of the male conqueror (which I will probably have the opportunity to get back to in some entry later), but we can say that the power changed from being more localy based to more centralised.

The other major thing that happened  during this time period that we actually can say for certain happened: the Christian (Catholic) church was established with clergy, parish organisation and everything. This is really the aspect of the period which I find so interesting. There are actually great differences in what the different types of resources tell us about the Christianisation. Everyone who has gone to school in Sweden have to have heard the name of the German monk Ansgar. He is said to have been sent to Scandinavia as a missionary and there is a biography written by another German monk called Rimbert about him. This and the history of the Hamburg-Bremen archbishopric written by Adam of Bremen has been very influential on the research perspective of the Christianisation. The archaeological material from this period does not show a cut between the older and the newer traditions as clear as the written sources want. Instead the borders are fluid and there is no clear indication as to what is Christian or Pagan. The discussion, especially in the Contract archaeological sector, tends to end up in more or less stereotypical interpretations. The problem I think is that there seldom are any stereotypes in real life. It is easy to write about them and make life black and white, but the truth is that it really is not. Everything is put in the grey area in between the extremes and that is really what the archaeological material show us. As for who was Christian or Pagan, I think it was based on the social context. If one needed to be Christian, one was, and if one needed to be Pagan, one was. Knud den store (the great) is actually a very good example of this. He ruled as a Christian among the Englishmen and as a Pagan among the Danes. Sigrid Storråda is interesting in this aspect, because she seems to have been content in her Pagan faith. I wrote about her probably having a great political mind in my entry about Sigrid and this might seem to contradict it, but maybe it says more about what power she had. Maybe her power was so well-founded in society that she did not have to turn her coat depending of who she spoke with?

Olof's coin

The historical Olof Skötkonung is mostly famous for having been baptist by the English missionary Saint Sigfrid in Husaby in Västergötland, Sweden and for being the first to mint coins in Sweden with the help of English mint masters at the end of the 10th century. It is most likely that the name Skötkonung means Skattkonung (treasure king) and derives from his minting activities.

Because of the minting happening in my home town Sigtuna and the plot actually involving Olof, the choice for this entry's archaeological find was pretty easy. The text on the coin says OLOF REX SVEVORUM, which means Olof, king of the Swedes on the other side can be read SIDEI which has been interpreted as either a spelling variation of the name Sigtuna or an abbraviation of Situne Dei meaning God's Sigtuna.

Since I read it as a script directly from the author, the cover was borrowed from here and the picture of Olof Skötkonung's coin from here.

Johanne Hildebrandt - Sigrid, Sagan om Valhalla

Sigrid is the fourth book in Johanne Hildebrandt's Sagan om Valhalla series and the first one to take place in the Viking Age. The name of the main character to me is rather special since one of my two middle names is Sigrid. The book does not have anything to do with me though. The Sigrid it is supposed to portray is the "Swedish" queen Sigrid Storråda (Sigrid the Haughty according to Wikipedia) who first married the "Swedish" king Erik Segersäll (Erik Victorious), but who later divorced him and remarried Danish king Svend Tveskæg (Sweyn Forkbeard). The book is about Sigrid Tostesdotter who is forced to marry Erik, but falls in love with Svend instead. The connection to Freja is not entirely clear, but it is said that Sigrid is related to her and there is also talk about what happened to Saga and the geneaology in between the book about Saga (The post was updated 1 september 2016.) and the one about Sigrid.

At first I thought the topic for this book would be, the Christianisation of Scandinavia and/or the changing power structures which that entailed. It is my favourite research topic and I think I have something to say about it. However, as I thought more about the historical Sigrid Storråda I found a more interesting topic would be her power and her marriages. Actually I think you can find out a lot about her character (and also the role of the Viking woman) from how she handled her relationships. This sounds perhaps very much like "a woman is nothing without a man", but I do intend this to be something completly different.

In a time when marriages were much more a matter of politics (Especially in the higher end of the social ladder that Sigrid belonged to.) her choices of husbands do not seem so strange. I think the historical Sigrid was much more practical in this than Hildebrandt's Sigrid. For short I do not think she hated one (Erik) and loved the other (Svend). Instead I think she had a very strict view of both her power and the politics of Scandinavia during this time.

In a way this gives her a connection to what is probably one of the most famous female rulers throughout history: Cleopatra VII of Egypt. I am sure everyone have heard all about her love life, but because of my love for the British children's show Horrible Histories, I will leave a link to their Lady Gaga inspired song so they can tell you the short version:

Cleopatra also had two pretty famous relationships: Gaius Julius Caesar and Marcus Antonius (Mark Antony) for which she is actually most famous. It has been pretty easy to rally about Cleopatra and her relationships and lots of people (mostly men) have done so both in the past and in the present. However, I want to put her and Sigrid Storråda together and see if I can say something about them as people beyond their husbands by looking at their relationships to them.

We have already established that marriages for the Viking elite was more about politics than love and the same is true for Ptolemaic/Roman Egypt. Looking at Sigrid's and Cleopatra's relationships they actually both seem to have been pretty politically consious women. Establishing allies with the most powerful men in their world (Erik Segersäll and Svend Tveskæg respectively Caesar and Mark Antony) they seem to both had thought about what would give them most power. They also happened to establish this power by bearing everyone of these four men's children. This was probably the only means women in upper class families could gain influence and power (if their husbands didn't die). What I think is interesting too about this is the fact that Sigrid actually manages to get a divorce from Erik (The Norse written sources are not clear as to why, so I will leave it at that.) and manages to get some power status for herself while "between marriages" (so to speak). When she divorced Erik, she also took away all the new allies she had brought into the marriage.

In my last entry about chess I talked about how the change from vizir to queen in the European version of chess was an excellent way of showing the importance of women in Early Medieval Europe and Sigrid's story supports this. The women seem to have been very important in the political structures of the time and also free to move as they pleased. Sigrid's marriages to both Erik and Svend and her divorce from Erik show to me that she was a very politically consious woman and her children ended up on both the Swedish and Danish thrones at the time. I also think the Christian church's negative attitude towards divorces might have originated from this power that the women had in divorces.

Detail of the Oseberg ship

The story of Cleopatra is far more tragic, but I do not think her society was as open to female power as the Viking one was. Her relationships to two of the most powerful political leaders show, just like Sigrid's that she had a political mind. It was not her fault that she ended up on the losing side.

Last but not least, the Scandinavian archaeological artefact I have chosen for this entry is a picture showing how beautifully decorated the Norwegian Oseberg ship is. The ship burial belongs to my favourites. It was found in Oseberg in Vestfold in Norway and excavated in 1904-05 by Norwegian Haakon Shetelig and Swedish Gabriel Gustafson. It was a burial of two women and included lots of precious artefacts. More information can be found here.


I read the hardcover verison of Sigrid, since that is the one I own myself (and it is really nice), but I think the papercover edition is so wonderfully beautiful, that I just had to include a picture of it. The picture was borrowed from here.
The Youtube clip is owned by CBBC. 
The picture of the Oseberg ship was taken from Wikipedia.

About chess - or the other inspiration for my view on culture

Not much is known
Of early days of chess
Beyond a fairly vague report
That fifteen hundred years ago
Two princes fought, though brothers
For a Hindu throne

~ Chess, Story of Chess

The Eddan Queen
Photo: Historiska museet i Lund

I read a blog post from 2014 on the blog of the contract archaeological company then called Riksantikvarieämbetets uppdragsverksamhet (Now Arkeologerna.). It was about a chess piece from the 13th century turning up at the excavation of the Eddan block in Linköping in Östergötland, Sweden. Therefore I think it would be perfect opportunity to tell you about the history of chess and why I think it is perfect for understanding both how cultures interact and what the game can tell us about early Medieval Europe. In many ways it is a continuation of the entry I made a while ago about the Sami hat.

My grandfather taught me to play chess when I was five. Even though the blog post about the Eddan Queen is very imformative, there are some problems with it. For example it uses a direct translation to Swedish of the English names of the pieces and I will tell you why I find this problematic later on in this post, but first som back story.

Chess originated in India and is said to have been spread to Europe via the Arabs in the early Middle Ages. The oldest known written sources of the game and its rules is Versus de scachis dating to c. AD 1000. The blog post about the Eddan Queen says that it probably came to Scandinavia during the 12th century. However, as always with written sources, I think there are reasons to be cautious saying this dates the first use of the game in either Europe or Scandinavia. It might have been used for quite some time before that, just that no one had thought about writing it all down.

Part of the Lewis chess set.
Photo: National Museums Scotland

The Silk Road was, after all, very important to the Vikings and they tended to pick up whatever they liked and brought back home to use it as their own. An indication of when the game was first introduced in Sweden, might the name of the pieces actually provide wherefore I found it sad to see that a direct translation of the English names was used in the blog post about the Eddan Queen.

Like so often when different cultures interact and pick something up from one another, changes need to be made to accommodate the new social context. This also happened to the chess set. In the blog post about the Eddan Queen, it was explained that the army of the Indian and Arabic game turned into representations of the social classes in the European feudalistic society. I, myself, would actually not say that that was really the case.

The Medieval army of the European countries actually did consist of both kings, pawns, knights and bishops and sometimes even women (like queens). However, there were ceveral changes in the pieces collection anyway. The king kept his title, but his advisor, the vizier of the Indian/Arabic version turned into a queen. In Swedish she is normally known as Dam (direct translation: Lady). The battle elephant turned into a bishop in the English version of the game. In Sweden those same pieces are known as Löpare (direct translation: Runner) and the horses where never turned into knights as in the English version. The name normally used in the Swedish version is an older term for horse: Springare. In the Indian/Arabic chess, there were also two wagons that became castles in English and Torn (towers) in Swedish and also the foot soldiers turned into pawns (This is actually the only piece that can be directly translated in Swedish: Bönder.).

Why is this so important to me? Because chess is actually an excellent way to see how far Christianity had spread throughout Europe and which of the "classical social classes" of the Medieval period that had been established at the time the game was introduced.

More stilistic chess pieces

England seems to have already had an established medieval society with knights, kings and queens and the Church seems to have had much more influence there as evident by the bishop's name, than it had in Swede, when the game was introduced there. The names of the pieces reflect this.

The rules of the games also changed when it came to Europe, giving the new queen a much more active role in the games. Today she is the most valuable and piece.

But how about the Arabs? Did they find a need to change the game from its Indian roots? Yes, they did. The older, more naturalistic pieces contradicted the Quran's prohibition of portraying humans and animals. Because of this, the game pieces were transformed to more abstract versions. Today you can find them both while looking for chess sets.

King in a set of game pieces for Hnefatafl
from burial BJ750, Hemlanden Birka, Björkö, Mälaren, Sweden
Photo by SHM 2001-09-26

Another board game that seems to have been popular among the Vikings is Hnefatafl and I just have to show you the one to the left from Birka since I think the pieces are so beautiful. Game pieces turn up in elite Viking burials from time to time. There are some similarities to Chess with both being played on a checkered board and both have the purpose of defending a special piece called "king" which, just like in chess is actually pretty weak. An interesting aspect considering both games illustrates Medieval power structures...


Pictures were borrowed from here, here and here and here.